No. 592: Amalia Mesa-Bains, Transcendental Painting Group

Episode No. 592 of The Modern Art Notes Podcast features artist Amalia Mesa-Bains and curator Michael Duncan.

The Berkeley Art Museum and Pacific Film Archive is presenting “Amalia Mesa-Bains: Archaeology of Memory,” the first retrospective of the pioneering Chicana artist. The exhibition includes nearly 60 works including fourteen of Mesa-Bains’ major installations. It was curated by María Esther Fernández and Laura E. Pérez and is on view through July 23. The outstanding catalogue was published by the Berkeley Art Museum in association with University of California Press. Amazon and Indiebound offer it for about $50.

Across a half-century, Mesa-Bains has foregrounded Chicana forms such as altares (home altars), ofrendas (offerings to the dead), descansos (roadside resting places), and capillas (home yard shrines) into contemporary art. Her work often spotlights domestic spaces and the construction of landscape in ways that highlight colonial erasure. Among the museums which have presented solo exhibitions of Mesa-Bains’ work are the Whitney Museum of American Art, the Williams College Museum of Art, the Fowler Museum at UCLA, and the San Francisco Museum of Modern Art.

As promised on the program:

On the second segment, curator Michael Duncan discusses “Another World: The Transcendental Painting Group, 1938-45,” which is at the Los Angeles County Museum of Art through June 19.  The exhibition presents a group of mostly northern New Mexico-based artists, including Raymond Jonson and Agnes Pelton, who built a spiritually-informed abstraction with a painterly language that included symbols and images drawn from the collective unconscious. The show’s catalogue was published by the Crocker Art Museum and DelMonico Books. Amazon and Indiebound offer it for about $60.

Instagram: Amalia Mesa-Bains, Michael Duncan, Tyler Green.

Air date: March 9, 2023.

Amalia Mesa-Bains, Altar to Five Women, 1976.

Amalia Mesa-Bains, An Ofrenda for Dolores del Rio, 1983/91.

Amalia Mesa-Bains, Venus Envy Chapter 1: First Holy Communion Moments before the End from 1993/2022.

Amalia Mesa-Bains, Venus Envy Chapter 1: First Holy Communion Moments before the End from 1993/2022 (detail).

Amalia Mesa-Bains, The Virgin’s Garden, 1994/2022 (detail), in Venus Envy Chapter II The Harem and Other Enclosures.

Amalia Mesa-Bains, Cihuateotl with Mirror in Private Landscapes and Public Territories, 2018.

Amalia Mesa-Bains, The Library of Sor Juana Inés de la Cruz in Venus Envy Chapter II: The Harem and Other Enclosures, 1994.

Amalia Mesa-Bains, The Library of Sor Juana Inés de la Cruz in Venus Envy Chapter II: The Harem and Other Enclosures, 1994/2021.

Miguel Cabrera, Portrait of Sor Juana Inés de la Cruz, c. 1750.

Amalia Mesa-Bains, Venus Envy Chapter IV: The Road to Paris and Its Aftermath, The Curandera’s Botanica, 2008-23.

Amalia Mesa-Bains, Ancient History Book, 2011.

Amalia Mesa-Bains, Tohono O’odham Map, 2018.

Amalia Mesa-Bains, Ancient Cartographies, 2010.

Amalia Mesa-Bains, Strange Fruit, 2010.

Raymond Jonson, Casein Tempera No. 1, 1939.

Emil Bisttram, Lord Maitreya, 1956.

Agnes Pelton, Winter, 1933.

Agnes Pelton, Lost Music II, 1950.

Agnes Pelton, Light Center, 1947-48.

Florence Miller Pierce, Blue Forms, 1942.

Stuart Walker, Untitled Abstraction, ca. 1938.

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