No. 638: Saif Azzuz, Maryam Taghavi

Episode No. 638 of The Modern Art Notes Podcast features artists Saif Azzuz and Maryam Taghavi.

The Institute of Contemporary Art San Francisco is presenting “Saif Azzuz: Cost of Living,” an exhibition of paintings, sculptures and installation that considers settler colonialism and gentrification as related processes. The exhibition is on view through May 19.

Azzuz is a Libyan-Yurok artist based in suburban San Francisco. His work, which often addresses nature, land, and California Native American cultural practices, is in the collections of museums such as the Fine Arts Museums of San Francisco and the North Carolina Museum of Art, Raleigh. He was a 2022 SFMOMA SECA Award finalist.

Taghavi’s work is on view at the Museum of Contemporary Chicago in “Chicago Works: Maryam Taghavi مریم تقوی.” Taghavi’s work explores perception, often by wielding or adapting Persian calligraphy. The exhibition was curated by Bana Kattan with Kamala GhaneaBassiri.

Taghavi has previously exhibited at museums such as LAXART, Los Angeles and the Queens Museum. Chicago’s O’Hare Airport has recently installed a commissioned work by Taghavi in its Terminal Five.

Instagram: Saif Azzuz, Maryam Taghavi.

Air date: January 25, 2024.

Installation view of “Saif Azzuz: Cost of Living,” ICA San Francisco.

Installation view, “Saif Azzuz Cost of Living.”

Installation view, “Saif Azzuz: Cost of Living.”

Installation view, “Saif Azzuz: Cost of Living.”

Saif Azzuz, Lo’op (It Burns), 2022.

Saif Azzuz, Fire Frog, 2022.

Saif Azzuz, Don’t Repress Me, 2023.

Saif Azzuz, Nepe’wee shneg (Otter), 2022.

Saif Azzuz, To be present, 2022.

Installation view, Saif Azzuz, Says Who at Nicelle Beauchene Gallery, New York, Feb, 24-March 25, 2023.

“Installation view, Chicago Works: Maryam Taghavi.”

Installation view, “Chicago Works: Maryam Taghavi.”

Installation view, “Chicago Works: Maryam Taghavi.”

Installation view, “Chicago Works: Maryam Taghavi.”

Installation view, “Chicago Works: Maryam Taghavi.”

Maryam Taghavi, Reconstitution, 2017.

‘Abd al-Qadir Hisari, Calligraphic Galleon, 1766–67,

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