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No. 42: Marian Bisanz-Prakken, Roy Dowell

Episode No. 42 of The Modern Art Notes Podcast features curator Marian Bisanz-Prakken and artist Roy Dowell.

The drawings of Gustav Klimt as presented in “The Magic of Line,” a survey exhibition at the J. Paul Getty Museum on view through September 23. Joining host Tyler Green to discuss Klimt’s works on paper is Albertina curator Marian Bisanz-Prakken, who organized the show.

While the development of modernism in Paris receives far more attention in America than the development of modernism in other parts of Europe, it wasn’t just Picasso and Matisse and their followers who changed art in the early twentieth century. In Vienna, Gustav Klimt transformed himself from a court painter into a symbolist influenced by the way Vienna’s intellectuals began to encourage us to look inward, to a space-flattening modernist who dared to cross the lines that separated Catholics from Jews in segregated Vienna and who made erotic paintings and drawings a central focus of his work.

Bisanz-Prakken oversees the Gustav Klimt drawings catalogue raisonne project. At the Albertina she is the curator of Dutch drawings (she has published numerous articles on Rembrandt’s drawings) as well as the curator for turn-of-the-century Austrian works on paper.

On the second segment, artist Roy Dowell talks about works he’s showing in “Made in LA 2012,” the Hammer biennial. Among the works we discuss is the work that the Hammer and LAXART installed as a billboard on Culver City’s La Cienega Boulevard.

Dowell is the chairman of the graduate fine arts department at the Otis College of Art and Design. His work is in the collections of the Los Angeles County Museum of Art, MOCA, the Hammer and the Berkeley Art Museum.

Air date: August 23, 2012.

Gustav Klimt, Portrait of a Lady with Cape and Hat, 1897 - 1898. Collection of the Albertina, Vienna.

Gustav Klimt, Portrait of a Lady with Cape and Hat, 1897 – 1898. Collection of the Albertina, Vienna.

Gustav Klimt, Floating Female Figure with Outstretched Left Arm, 1900-1901.

Gustav Klimt, Floating Female Figure with Outstretched Left Arm, 1900-1901.

Gustav Klimt, Portrait of a Woman in Three-Quarter Profile, 1901. Collection of the Albertina, Vienna.

Gustav Klimt, Portrait of a Woman in Three-Quarter Profile, 1901. Collection of the Albertina, Vienna.

Gustav Klimt, Two Studies of a Reclining Draped Figure, 1901. Collection of the Albertina, Vienna.

Gustav Klimt, Two Studies of a Reclining Draped Figure, 1901. Collection of the Albertina, Vienna.

Gustav Klimt, Two Studies of a Seated Nude with Long Hair, about 1901-1902. Collection of the J. Paul Getty Museum, Los Angeles.

Gustav Klimt, Two Studies of a Seated Nude with Long Hair, about 1901-1902. Collection of the J. Paul Getty Museum, Los Angeles.

Gustav Klimt, Study for a Portrait of Sonia Knips, 1897-98. Collection of the Albertina, Vienna.

Gustav Klimt, Study for a Portrait of Sonia Knips, 1897-98. Collection of the Albertina, Vienna.

Gustav Klimt, Portrait of Sonia Knips, 1898. Collection of the Belvedere, Vienna.

Gustav Klimt, Portrait of Sonia Knips, 1898. Collection of the Belvedere, Vienna.

Gustav Klimt, Standing Woman, Leaning on a Chair, Study for a Portrait of Rose von Rosthorn-Friedmann. 1900-1901. Collection of the Albertina, Vienna.

Gustav Klimt, Standing Woman, Leaning on a Chair, Study for a Portrait of Rose von Rosthorn-Friedmann. 1900-1901. Collection of the Albertina, Vienna.

Gustav Klimt, Portrait of Rose von Rosthorn-Friedmann, 1900.

Gustav Klimt, Portrait of Rose von Rosthorn-Friedmann, 1900.

Gustav Klimt, Reclining Nude with Leg Raised, 1912-13. Collection of the Albertina, Vienna.

Gustav Klimt, Reclining Nude with Leg Raised, 1912-13. Collection of the Albertina, Vienna.

Roy Dowell, Untitled #1008, 2011.

Roy Dowell, Untitled #1008, 2011.

Roy Dowell, site-specific billboard as part of "Made in LA 2012."

Roy Dowell, site-specific billboard as part of “Made in LA 2012.”

Roy Dowell, Untitled #948, 2008.

Roy Dowell, Untitled #948, 2008.

Roy Dowell, Untitled #945, 2008.

Roy Dowell, Untitled #945, 2008.

Roy Dowell, Untitled #535, 1991.

Roy Dowell, Untitled #535, 1991.

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← No. 41: Robert Adams
No. 43: Ori Gersht, Yvonne Szafran →
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