Episode No. 740 of The Modern Art Notes Podcast features artist Firelei Báez and curators Charlene Foggie-Barnett and Dan Leers.
The MCA Chicago is presenting “Firelei Báez,” the first North American mid-career survey of the artist’s paintings and installations. Báez’s work often explores the legacies of colonialism across the American and the African diaspora, in the Caribbean, and beyond. Her works are often explosively colorful and use complex and layered materials, including archival material and paint, to unsettle fixed categories and historical events. The exhibition was curated by Eva Respini with Tessa Bachi Haas; the MCA Chicago presentation was organized by Carla Acevedo-Yates with Cecelia González Godino and Iris Colburn. It is on view through May 31. A catalogue was published by the Institute of Contemporary Art/Boston in association with DelMonico Books. It is available from Amazon and Bookshop for $36-56.
Institutions that have previously presented major Báez exhibitions include the Louisiana Museum of Modern Art in Copenhagen, The Momentary in Bentonville, Ark., the Witte de With Center for Contemporary Art in Rotterdam, The Schomburg Center for Research in Black Culture and The Studio Museum in Harlem, and the Pérez Art Museum Miami.
Foggie-Barnett and Leers are the co-curators of “Black Photojournalism” at the Carnegie Museum of Art in Pittsburgh. The exhibition presents work by nearly 60 photographers chronicling historic events and daily life in the United States between 1945 and 1984. The exhibition was designed by David Hartt. It is on view through January 19, before traveling to the Amon Carter Museum of American Art in Fort Worth. An excellent catalogue was published by the Carnegie. Amazon and Bookshop offer it for about $60.
In addition to the video below, the CMOA has produced an outstanding podcast series to accompany the show.
Instagram: Firelei Báez, Charlene Foggie-Barnett, Tyler Green.
Air date: Jan. 7, 2026.

Firelei Báez, Black counter gravity (Carte figurative et approximative des quantités de coton en laine importés en Europe en 1858 et 1861), 2022.

Firelei Báez, Untitled (Les tables de géographie réduites en un jeu de cartes), 2022.

Firelei Báez, Vessel of Genealogies, 2016.

Firelei Báez, Sans-Souci (This threshold between a dematerialized and a historicized body), 2015.

Firelei Báez, Bloodlines (past forces of oppression become frail and fallible), 2015.

Firelei Báez, DREAMer (a demand for opacity that weaves no boundaries), 2017.

Firelei Báez, Can I Pass? Introducing the Paper Bag to the Fan Test for the Month of July, 2011.
