The Modern Art Notes Podcast

Each week, artists, art historians and authors join host Tyler Green to discuss their work

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No. 723: Rauschenberg Fabrics, Nanette Carter

Episode No. 723 of The Modern Art Notes Podcast features curator Michelle White and artist Nanette Carter.

White is the curator of “Robert Rauschenberg: Fabric Works of the 1970s” at The Menil Collection, Houston. The exhibition considers Rauschenberg’s conceptual, expressive use of fabric as a medium through a focus on three groups of works from the 1970s: Venetians (1972-73), Jammers (1975-76), and Hoarfrosts (1974-76). It is on view through March 1, 2026. “Fabric” is accompanied by an excellent catalogue published by the Menil. Amazon and Bookshop offer it for $60-65.

The Wexner Center for the Arts at The Ohio State University is presenting “Nanette Carter: Afro Sentinels” through January 11, 2026. The exhibition features works Carter has made over the last decade, including work from her Cantilevered, Destabilizing, and Shifting Perspectives series, plus new sculptural works commissioned by the Wexner. It was curated by Rebecca Lowery. Carter’s abstract collages, produced in Mylar, often engage with contemporary social issues. The Montclair Art Museum presented a retrospective of Carter’s career last year.

As discussed on the program:

  • Carter’s 2021 oral history for the Archives of American Art.

Instagram: Michelle White, Nanette Carter, Tyler Green.

Air date: September 11, 2025.

Robert Rauschenberg, Slow Fall, 1961.

Robert Rauschenberg, Sant’Agnese (Venetian), 1973.

Robert Rauschenberg, Veils III, 1974.

Robert Rauschenberg, Glacier (Hoarfrost), 1974.

Robert Rauschenberg, Pimiento III (Jammer), 1976.

Robert Rauschenberg, Mirage (Jammer), 1975.

Robert Rauschenberg, Whistle Stop (Spread), 1977.

Thomas Lawrence, Pinkie, 1794.

Thomas Gainsborough, Blue Boy, ca. 1770s.

Nanette Carter, Afro Sentinels III, 2024.

Nanette Carter, Destabilizing #9, 2024.

Nanette Carter, Shifting Perspectives #1, 2022.

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← No. 722: Opposing Trumpism, Giambologna
No. 724: Antony Gormley →
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