The Modern Art Notes Podcast

Each week, artists, art historians and authors join host Tyler Green to discuss their work

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No. 715: Kandis Williams

Episode No. 715 of The Modern Art Notes Podcast features artist Kandis Williams.

The Walker Art Center, Minneapolis is presenting “Kandis Williams: A Surface,” the first survey of Williams’ career. The exhibition spotlights how Williams has used collage as a tool of Black feminist resistance, to dismantle entrenched histories and power structures, and to rebuild dominant narratives. The exhibition, which was curated by Taylor Jasper with Laurel Rand-Lewis, is on view through August 24. The exhibition catalogue was published by the Walker. Amazon and Bookshop offer it for around $45.

Williams is also included in “Performance on Paper” at the Hammer Museum, University of California, Los Angeles. It features prints and drawings created at the intersection of music and dance by about twenty artists active from the 1960s to the present. It was curated by Naoko Takahatake with Jennie Waldow, and is on view through August 10.

Williams’ previous museum solo exhibition was at the Institute for Contemporary Art, Virginia Commonwealth University. They have been included in group exhibitions at the Museum of Modern Art, New York, the Frye Art Museum, Seattle, at the Studio Museum in Harlem, and in the Hammer Museum’s Made in LA biennial.

For Jasper’s essay on Williams in the Walker’s magazine, click here.

Instagram: Kandis Williams, Tyler Green.

Air date: July 17, 2025.

Kandis Williams, Pedestal, 2013.

Kandis Williams, Study, 2015.

Kandis Williams, Venus is a Sacrificial Form, 2016.

Kandis Williams, the set up out of the blackest part of my soul…, 2017.

Kandis Williams, After birth all diligence is
transferred to the calves; then the farmers brand
them with their mark and the name of their breed
And set aside those to rear to perpetuate their
kind, to keep as sacred for the altar, or to cultivate
earth and turn over the uneven field breaking its
clods. the rest of the cattle pasture on green
grasses, but train those that you’ll prepare for
work and service on the farm when they are still
calves and set them on the path to dociling with
their youthful spirits are willing, while their lives are
tractable. some few women are born free, and
some amid insult and scarlet letter achieve
freedom [sic] with that freedom they are buying an
untrammeled independence and dear as is the
price they pay for it, it will in the end be worth
every taunt and groan., 2020.

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← No. 714: The First Homosexuals, June Leaf
No. 716: Noah Davis, Francesca Fuchs →
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