Episode No. 36 of The Modern Art Notes Podcast features artist Barbara Kruger and curator Karen Wilkin.
Kruger’s most recent commission, Belief + Doubt, is on view at the Hirshhorn Museum and Sculpture Garden. (The work officially opens to the public on August 20, but it is visible now.)
Kruger was the subject of an Ann Goldstein-curated 1999 retrospective at MOCA, an exhibition that traveled to the Whitney Museum of American Art. Her installation at — and actually on — the Italian Pavilion at the 2005 Venice Biennale helped her win the Biennale’s lifetime achievement award. The most recent major monograph on Kruger’s work was published in 2010 by Rizzoli.
During the interview, MAN Podcast host Tyler Green referenced this review of “September 11” at MoMA’s PS1 outpost.
The second segment features art historian and critic Karen Wilkin. Along with William Agee and Irving Sandler, Wilkin is the curator of “American Vanguards: Graham, Davis, Gorky, de Kooning and Their Circle, 1927-1942,” on view now at the Amon Carter Museum of American Art. The exhibition presents the too-little-known Graham as the hub around which that generation of American modernists revolved.
Air date: July 12, 2012.
Barbara Kruger, Belief + Doubt, 2012.
Barbara Kruger, Untitled (Help!), Bus Shelter Project for the Public Art Fund, New York City, 1991.
Barbara Kruger, Untitled (Questions), 1990-92. Installed on the MOCA Temporary Contemporary, Los Angeles.
Barbara Kruger, Untitled (Questions), 1991.
Barbara Kruger, Untitled (I shop therefore I am), 1987.
Barbara Kruger, Untitled (We don’t need another hero), 1987.
John Graham, Embrace, 1932. Collection of The Phillips Collection, Washington.
![David Smith, Untitled (Untitled [Head, Blue and White]), 1934.](https://modernartnotespodcast.files.wordpress.com/2014/10/smithuntitled34.jpg)
David Smith, Untitled (Untitled [Head, Blue and White]), 1934.
Stuart Davis, Egg Beater No. 2, 1928. Collection of the Amon Carter Museum of American Art, Fort Worth, Tex.
John Graham, Poussin m’instruit, 1944.
