The Modern Art Notes Podcast

Each week, artists, art historians and authors join host Tyler Green to discuss their work

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No. 31: Jonathan Brown, Amanda Donnan

Episode No. 31 of The Modern Art Notes Podcast features historian Jonathan Brown and curator Amanda Donnan. 

Brown is America’s top historian of Spanish art. Brown has just published “Murillo: Virtuoso Draftsman,” a catalogue raisonne of drawings by the great Spanish golden age artist Bartolome Esteban Murillo. The book is published by Yale University Press. This year Brown is also the director of the Academic Chair of the Museo del Prado in Madrid. His responsibilities include the delivery of six public lectures, three last month and three in the fall. (The program is comparable  to the Mellon Lectures at the National Gallery of Art, which Brown has also delivered.)

Brown is a professor at the Institute of Fine Arts at New York University. Many of his books, including “The Golden Age of Painting in Spain,” Velazquez, Painter and Courtier,” and “A Palace for a King. The Buen Retiro and the Court of Philip IV,” co-written with John H. Elliott, are the key texts in the field. Brown has also curated numerous exhibitions for the Prado and has worked with many American museums, including the Met, the Frick and the National Gallery on Spanish art and attribution issues.

On the show’s second segment, Carnegie Museum of Art curatorial assistant Amanda Donnan talks about the CMOA’s superb 2013 Carnegie International blog. The site is a smart, erudite mix look at how four of the people working on the International look, see, think and engage their community. The Carnegie International opens on October 5, 2013.

Air date: June 7, 2012.

Murillo, Self-Portrait, ca. 1670-73. Collection of The National Gallery, London.

Murillo, Self-Portrait, ca. 1670-73. Collection of The National Gallery, London.

Murillo, Virgin of the Immaculate Conception, ca. 1665. Collection of the Statens Museum for Kunst, Copenhagen.

Murillo, Virgin of the Immaculate Conception, ca. 1665. Collection of the Statens Museum for Kunst, Copenhagen.

Murillo, Virgin of the Immaculate Conception with Worshipers, ca. 1665-70. Collection of the Louvre, Paris.

Murillo, Virgin of the Immaculate Conception with Worshipers, ca. 1665-70. Collection of the Louvre, Paris.

Murillo, The Adoration of the Magi, ca. 1650-56. Collection of the National Gallery of Art, Washington.

Murillo, The Adoration of the Magi, ca. 1650-56. Collection of the National Gallery of Art, Washington.

Murillo, The Adoration of the Magi, ca. 1655-60. Collection of the Toledo Museum of Art.

Murillo, The Adoration of the Magi, ca. 1655-60. Collection of the Toledo Museum of Art.

Murillo, Saint Isidore, ca. 1655. Collection of the Louvre, Paris.

Murillo, Saint Isidore, ca. 1655. Collection of the Louvre, Paris.

Murillo, Saint Isidore, ca. 1655. Collection of The British Museum, London.

Murillo, Saint Isidore, ca. 1655. Collection of The British Museum, London.

Murillo, Virgin of the Immaculate Conception. Collection of The Morgan Library, New York.

Murillo, Virgin of the Immaculate Conception. Collection of The Morgan Library, New York.

Murillo, The Infant St. John the Baptist. Collection of The Metropolitan Museum of Art, New York.

Murillo, The Infant St. John the Baptist. Collection of The Metropolitan Museum of Art, New York.

Murillo, Virgin and Child, ca. 1670-75. Collection of the Cleveland Museum of Art.

Murillo, Virgin and Child, ca. 1670-75. Collection of the Cleveland Museum of Art.

Murillo, Virgin and Child, ca. 1670-72. Collection of The Metropolitan Museum of Art, New York.

Murillo, Virgin and Child, ca. 1670-72. Collection of The Metropolitan Museum of Art, New York.

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← No. 30: Mickalene Thomas and Marco Breuer
No. 32: Joseph Rishel, George Shackelford →
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