Posts tagged baltimore museum of art

This second guest on this week’s Modern Art Notes Podcast is Sarah Oppenheimer, a New York-based artist whose architectural interventions challenge our perception of space.
This week the Baltimore Museum of Art will re-open its remodeled contemporary wing. As part of the re-opening the museum will unveil two commissioned works by Oppenheimer that will be permanently on view at the museum. W-12 (2012), shown in several pictures here, is installed across from this untitled 1962 Tony Smith painting (which is in the BMA’s collection). It’s a striking juxtaposition, one that reminds the viewer that what she sees in the Smith is kind of how she’s seeing through the Oppenheimer.
To download the program to your PC/mobile device, click here. Subscribe to The Modern Art Notes Podcast via iTunes or RSS. Also, check out — and ‘like’ — our new Facebook page!

This second guest on this week’s Modern Art Notes Podcast is Sarah Oppenheimer, a New York-based artist whose architectural interventions challenge our perception of space.

This week the Baltimore Museum of Art will re-open its remodeled contemporary wing. As part of the re-opening the museum will unveil two commissioned works by Oppenheimer that will be permanently on view at the museum. W-12 (2012), shown in several pictures here, is installed across from this untitled 1962 Tony Smith painting (which is in the BMA’s collection). It’s a striking juxtaposition, one that reminds the viewer that what she sees in the Smith is kind of how she’s seeing through the Oppenheimer.

To download the program to your PC/mobile device, click here. Subscribe to The Modern Art Notes Podcast via iTunes or RSS. Also, check out — and ‘like’ — our new Facebook page!


This second guest on this week’s Modern Art Notes Podcast is Sarah Oppenheimer, a New York-based artist whose architectural interventions challenge our perception of space.

This week the Baltimore Museum of Art will re-open its remodeled contemporary wing. As part of the re-opening the museum will unveil two commissioned works by Oppenheimer that will be permanently on view at the museum. This is a detail of one of them, W-12, as seen from the second floor of the BMA (no Photoshop here!): As the viewer looks forward, on the left side she sees across the museum’s staircase. As she looks forward and to the right, she sees what’s… beneath her!

To download the program to your PC/mobile device, click here. Subscribe to The Modern Art Notes Podcast via iTunes or RSS. Also, check out — and ‘like’ — our new Facebook page!


Sculptor/architectural intervener Sarah Oppenheimer is the second guest on this week’s Modern Art Notes Podcast. We discussed this piece — her brand-new P-0101 (2012), one of two commissions permanently installed at the Baltimore Museum of Art — on this week’s show. It’s installed in/between the museum’s Cone Wing of modern art and its newly remodeled contemporary wing.
Download the show, subscribe on iTunes.

Sculptor/architectural intervener Sarah Oppenheimer is the second guest on this week’s Modern Art Notes Podcast. We discussed this piece — her brand-new P-0101 (2012), one of two commissions permanently installed at the Baltimore Museum of Art — on this week’s show. It’s installed in/between the museum’s Cone Wing of modern art and its newly remodeled contemporary wing.

Download the show, subscribe on iTunes.


Sculptor/architectural mess-with-er Sarah Oppenheimer is the second guest on this week’s Modern Art Notes Podcast. We discussed this piece — her brand-new W-12 (2012) at the Baltimore Museum of Art — on this week’s show. (If it looks like the guy in the staircase is looking up but can see down, it’s because that’s exactly what the piece does…)
Download the show, subscribe on iTunes.

Sculptor/architectural mess-with-er Sarah Oppenheimer is the second guest on this week’s Modern Art Notes Podcast. We discussed this piece — her brand-new W-12 (2012) at the Baltimore Museum of Art — on this week’s show. (If it looks like the guy in the staircase is looking up but can see down, it’s because that’s exactly what the piece does…)

Download the show, subscribe on iTunes.


This second guest on this week’s Modern Art Notes Podcast is Sarah Oppenheimer, a New York-based artist whose architectural interventions challenge our perception of space.

This week the Baltimore Museum of Art will re-open its remodeled contemporary wing. As part of the re-opening the museum will unveil two commissioned works by Oppenheimer that will be permanently on view at the museum. This is one of them, W-12, as seen from one of three vantage points: The museum’s contemporary wing stairwell. If it looks like the camera is positioned to look up, that’s because it is. If it seems as if the camera is seeing someone on the floor below, that’s because it is. Pretty wild, no? 

To download the program to your PC/mobile device, click here. Subscribe to The Modern Art Notes Podcast via iTunes or RSS. Also, check out — and ‘like’ — our new Facebook page!


This second guest on this week’s Modern Art Notes Podcast is Sarah Oppenheimer, a New York-based artist whose architectural interventions challenge our perception of space.

Next week the Baltimore Museum of Art will re-open its remodeled contemporary wing. As part of the re-opening the museum will unveil two commissioned works by Oppenheimer that will be permanently on view at the museum. This is one of them, P-0101 (2012). It consists of a giant diagonal cut in a limestone wall and an aluminum-and-glass insertion. It’s less peek-a-boo than it is ‘where am I?’

To download the program to your PC/mobile device, click here. Subscribe to The Modern Art Notes Podcast via iTunes or RSS. Also, check out — and ‘like’ — our new Facebook page!


This second guest on this week’s Modern Art Notes Podcast is Sarah Oppenheimer, a New York-based artist whose architectural interventions challenge our perception of space.

Next week the Baltimore Museum of Art will re-open its remodeled contemporary wing. As part of the re-opening the museum will unveil two commissioned works by Oppenheimer that will be permanently on view at the museum. This is one of them, W-12 (2012). There are no photo-tricks going on here: If the viewer looks through the aperture to the left, she sees straight ahead into a staircase. Through the right aperture, she sees the BMA gallery immediately below where she is standing. Art as real-world special-effect!

To download the program to your PC/mobile device, click here. Subscribe to The Modern Art Notes Podcast via iTunes or RSS. Also, check out — and ‘like’ — our new Facebook page!


Artist Sarah Oppenheimer is the guest on the second segment of this week’s Modern Art Notes Podcast. She’s just made two permanent installations for the Baltimore Museum of Art, works that will go on view when the BMA re-opens its contemporary wing next week. The first photos are just in!
This is a picture of W-12 (2012), a matte aluminum sculpture installed between the two floors of the BMA’s contemporary wing. This view is looking up at the piece (in the ceiling) from the ground floor, and at a Robert Motherwell hanging on a wall on the second floor. Think about that for a second…. 
Download this week’s show here!
Image: James Ewing via Sarah Oppenheimer and the BMA.

Artist Sarah Oppenheimer is the guest on the second segment of this week’s Modern Art Notes Podcast. She’s just made two permanent installations for the Baltimore Museum of Art, works that will go on view when the BMA re-opens its contemporary wing next week. The first photos are just in!

This is a picture of W-12 (2012), a matte aluminum sculpture installed between the two floors of the BMA’s contemporary wing. This view is looking up at the piece (in the ceiling) from the ground floor, and at a Robert Motherwell hanging on a wall on the second floor. Think about that for a second…. 

Download this week’s show here!

Image: James Ewing via Sarah Oppenheimer and the BMA.


This week’s Modern Art Notes Podcast features one of Europe’s best-known and most-admired artists: Olafur Eliasson. 

This is Eliasson’s Multiple grotto (2004), which is in the collection of (and often on view at) the San Francisco Museum of Modern Art. The Baltimore Museum of Art has a related work, Flower observatory (2004). The best part: As you can see here, you walk into these pieces! 

An exhibition of Eliasson’s newest photographs — featuring his ancestral homeland of Iceland — opens this week at Chelsea’s Tanya Bonakdar Gallery. Also, Taschen has just published a new edition of “Studio Olafur Eliasson,” a 532-page ‘encyclopedia’ of Eliasson’s studio practice. (It’s available on Amazon for $25, a 40 percent discount.)

Download the Eliasson program to your PC/mobile device. Subscribe to The Modern Art Notes Podcast via iTunes or RSS. See images of artworks discussed on the program.


This week’s Modern Art Notes Podcast features artist Martha Rosler. An exhibition of Rosler’s pictures of Cuba, taken in January, 1981, are on view now at Mitchell-Innes & Nash in Chelsea. Rosler and I talked last week in front of a live audience at the Baltimore Museum of Art.

Rosler has been the subject of dozens of major exhibitions, including the 1999 retrospectinve “Martha Rosler: Positions in the Life World,” which was organized by Ikon Gallery in Birmingham and Generali Foundation, Vienna. That show traveled throughout Europe and to the New Museum and the International Center of Photography in New York. She will receive her first solo show at the Museum of Modern Art this fall when her Meta-Monumental Garage Sale takes over MoMA’s atrium for 13 days at the end of November.

To download or subscribe to The Modern Art Notes Podcast via iTunes, click here. To download the program directly to your PC/mobile device, click here. To subscribe to The MAN Podcast’s RSS feed, click here. Click here to see images of art discussed on the show.

Image: Martha Rosler, The Gray Drape, 2008. Collection of the Hirshhorn Museum and Sculpture Garden, Washington.