Posts tagged art

The second segment of this week’s Modern Art Notes Podcast features curator Cornelia Homburg.
Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.
This is Georges Lemmen’s The Thames - the Elevator (ca. 1890) from the collection of the Rhode Island School of Design Museum. It’s one of the paintings Homburg and host Tyler Green discuss on this week’s MAN Podcast.
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

The second segment of this week’s Modern Art Notes Podcast features curator Cornelia Homburg.

Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.

This is Georges Lemmen’s The Thames - the Elevator (ca. 1890) from the collection of the Rhode Island School of Design Museum. It’s one of the paintings Homburg and host Tyler Green discuss on this week’s MAN Podcast.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


This week’s Modern Art Notes Podcast features George Herms.
Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.
Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.
Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 
This is Herms’ angel-recalling Genevive (1962). Click to expand it to 1,200px!
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

This week’s Modern Art Notes Podcast features George Herms.

Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.

Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.

Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 

This is Herms’ angel-recalling Genevive (1962). Click to expand it to 1,200px!

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


The second segment of this week’s Modern Art Notes Podcast features curator Cornelia Homburg.
Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.
This is Georges Seurat’s Channel of Gravelines, Evening (1890) from the collection of the Museum of Modern Art, New York. It’s one of the paintings Homburg and host Tyler Green discuss on this week’s MAN Podcast.
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

The second segment of this week’s Modern Art Notes Podcast features curator Cornelia Homburg.

Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.

This is Georges Seurat’s Channel of Gravelines, Evening (1890) from the collection of the Museum of Modern Art, New York. It’s one of the paintings Homburg and host Tyler Green discuss on this week’s MAN Podcast.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


The second segment of this week’s Modern Art Notes Podcast features curator Cornelia Homburg.
Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.
This is Georges Seurat’s Le Chahut (1889-90). It’s one of the paintings Homburg and host Tyler Green discuss on this week’s MAN Podcast.
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

The second segment of this week’s Modern Art Notes Podcast features curator Cornelia Homburg.

Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.

This is Georges Seurat’s Le Chahut (1889-90). It’s one of the paintings Homburg and host Tyler Green discuss on this week’s MAN Podcast.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


George Herms

This week’s Modern Art Notes Podcast features George Herms.

Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.

Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.

Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 

This is Herms’ Coffee Table Book with Blue Marble (1990) from the collection of the Smithsonian American Art Museum. It’s an example of how Herms uses rust as ‘patina,’ a subject he discusses with host Tyler Green on this week’s program.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:

Source SoundCloud / Modern Art Notes Podcast


This week’s Modern Art Notes Podcast features George Herms.
Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.
Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.
Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 
This is Herms’ The Meat Market (1960-61) from the collection of the Fine Arts Museums of San Francisco. Click to expand it to 1,200px!
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

This week’s Modern Art Notes Podcast features George Herms.

Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.

Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.

Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 

This is Herms’ The Meat Market (1960-61) from the collection of the Fine Arts Museums of San Francisco. Click to expand it to 1,200px!

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


This week’s Modern Art Notes Podcast features George Herms and curator Cornelia Homburg.

Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” (Pictured above.) The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.

Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.

Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 

On the second segment, Cornelia Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


The second segment of this week’s Modern Art Notes Podcast features curator Cornelia Homburg.
Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.
This is Paul Signac’s Setting Sun. Sardine Fishing. Adagio. Opus 221 from the series The Sea, The Boats, Concarneau (1891) from the collection of the Museum of Modern Art, New York. It will be in Homburg’s exhibition, and it’s one of the paintings she and host Tyler Green discuss on this week’s MAN Podcast.
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

The second segment of this week’s Modern Art Notes Podcast features curator Cornelia Homburg.

Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.

This is Paul Signac’s Setting Sun. Sardine Fishing. Adagio. Opus 221 from the series The Sea, The Boats, Concarneau (1891) from the collection of the Museum of Modern Art, New York. It will be in Homburg’s exhibition, and it’s one of the paintings she and host Tyler Green discuss on this week’s MAN Podcast.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


This week’s Modern Art Notes Podcast features George Herms and curator Cornelia Homburg.
Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.
Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.
Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 
This is Herms’ The Librarian (1960) from the collection of the Norton Simon Museum. 
On the second segment, Cornelia Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

This week’s Modern Art Notes Podcast features George Herms and curator Cornelia Homburg.

Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.

Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.

Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 

This is Herms’ The Librarian (1960) from the collection of the Norton Simon Museum. 

On the second segment, Cornelia Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


George Herms

This week’s Modern Art Notes Podcast features George Herms and curator Cornelia Homburg.

Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.

Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.

Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 

This is Herms’ California Landscape (1978) from the collection of the Museum of Contemporary Art, Los Angeles. 

On the second segment, Cornelia Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.

The Modern Art Notes Podcast is an independent production of Modern Art Notes Media. The program is edited by Wilson Butterworth. The MAN Podcast is released under this Creative Commons license. 

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:

Source SoundCloud / Modern Art Notes Podcast