Posts tagged Museum of Modern Art

Here are all five of Donald Judd’s multicolored floor pieces. (A sixth floor piece, in ‘blank’ galvanized iron, is at the Tate.) One of them, the version in the collection of the Museum of Modern Art, is included in “Donald Judd: The Multicolored Works” at the Pulitzer Foundation for the Arts through January 4. Exhibition curator Marianne Stockebrand is this week’s guest on The Modern Art Notes Podcast.

“The Multicolored Works” is the first museum exhibition to focus on Judd’s use of color, and more specifically Judd’s use of color in the 1980s, when he discovered a process that enabled a new kind of sculpture. It includes 23 Judd sculptures as well as works on paper and collages from the collection of the Judd Foundation that reveal Judd’s creative process. The gorgeous exhibition is a shoo-in to rank highly on critics’ year-end top-ten lists.

How to listen: Download the show to your PC/mobile device. Subscribe to The MAN Podcast via iTunesSoundCloudStitcher or RSS. See more images of art discussed on the program.

All of the multicolored floor pieces are untitled. From the top, where they are: Stedelijk Museum, Amsterdam (1989), Museum Bojimans Van Beuningen, Rotterdam (1984), , Kunstsammlung Nordrhein-Westfalen, Dusseldorf (1989-90), Museum of Modern Art, New York (1989), Herbert Collection, Ghent (1984). 


This week’s Modern Art Notes Podcast features Marianne Stockebrand, the curator of “Donald Judd: The Multicolored Works” and the former director of the Chinati Foundation. The program was taped before a live audience at the Pulitzer Foundation for the Arts, where “The Multicolored Works” is on view through January 4.

This is the first museum exhibition to focus on Judd’s use of color, and more specifically Judd’s use of color in the 1980s, when he discovered a process that enabled a new kind of sculpture. “The Multicolored Works” includes 23 Judd sculptures as well as works on paper and collages from the collection of the Judd Foundation that reveal Judd’s creative process. The gorgeous exhibition is a shoo-in to rank highly on critics’ year-end top-ten lists.

The exhibition includes one of Judd’s six multicolored ‘floor pieces’: This untitled work from 1989 in the collection of the Museum of Modern Art.

How to listen: Download the show to your PC/mobile device. Subscribe to The MAN Podcast via iTunesSoundCloudStitcher or RSS. See more images of art discussed on the program.


This week’s Modern Art Notes Podcast features Eric Fischl. His new memoir “Bad Boy,” co-written with Michael Stone, has just been published by Crown. In the book, Fischl talks about growing up on Long Island, his mother’s alcoholism and suicide, his discovery of art, his meteoric rise in the New York art world during the cocaine-fueled 1980s, how he was motivated to become sober and how his travels and life experiences have fueled his work in the decades since.

The first painting is Fischl’s 2000 The Bed, The Chair, Jet Lag, one of his best paintings of the 2000s.On this week’s MAN Podcast, Fischl and host Tyler Green discuss this painting, its light, that marvelous chair and its relationship to Andre Derain’s great 1907 Bathers at the Museum of Modern Art.

How to listen: Download the show to your PC/mobile device. Subscribe to The MAN Podcast via iTunesSoundCloudStitcher or RSS. See more images of art discussed on the program.


Earlier this year Martha Rosler took over the Museum of Modern Art’s atrium with her Meta-Monumental Garage Sale. He work is back at MoMA now in “Performing Histories (1),” an exhibition that features an even more pointed work by Rosler: She Sees in Herself a New Woman Everyday (1976). The piece is made up of 12 color photographs of a woman’s shoes and legs arranged in a grid on the floor. (A detail from one of the 12 is above.) The piece includes sound of a woman having a talk with her own mother. The piece raises questions about gender and how gender-related identity is constructed.

Rosler was the guest on Episode No. 27 of The Modern Art Notes Podcast, a program that was taped in front of a live audience at the Baltimore Museum of Art. Download the program to your PC/mobile device. Subscribe via iTunesSoundCloudRSS. See images of art Rosler and I discussed.


Here’s a first look at The Phillips Collection’s new Wolfgang Laib wax room! It opened over this past weekend. (See the full image on the Phillips’ website and read more here.)

Episode No. 63 of The Modern Art Notes Podcast featured Laib talking with host Tyler Green about the two major pieces he’s installed in the U.S. this winter: Pollen from Hazelnut in the atrium at the Museum of Modern Art, and the Phillips piece. At 18-by-21 feet, the MoMA installation is the largest pollen field Laib has made. The Phillips’ Laib Wax Room, a new permanent installation, is the first permanent installation at the Phillips since the museum opened its famed Rothko Room in 1960.

To listen to Wolfgang Laib: Download the show to your PC/mobile device. Subscribe to The Modern Art Notes Podcast via iTunesSoundCloud or RSS. See more images of art discussed on the program.


Episode No. 60 of The Modern Art Notes Podcast featured one of the best exhibitions of recent years: Museum of Modern Art curator Leah Dickerman’s “Inventing Abstraction 1910-1925: How a Radical Idea Changed Modern Art.” It’s at MoMA through April 15. 

The show excavates the origins of abstraction — both in Europe and in America — and tells the story of how networks between artists and a new age of communication and inter-disciplinary practice and awareness helped fuel experimentation.

Dickerman is one of America’s top curators of modern art. Her 2006 exhibition “Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris” was one of the best and most important shows of recent years. More recently, she organized “Diego Rivera: Murals for The Museum of Modern Art” (2011), which she also discussed here on The MAN Podcast.

One of the topics Dickerman and host Tyler Green discussed is how Dickerman’s show is a more inclusive history of the period than many recent shows — especially because it includes many more women, such as Natalia Goncharova (shown here). 

To download the program to your PC/mobile device or to listen in your browser, click here. Subscribe to The Modern Art Notes Podcast via iTunesSoundCloudor RSS. See more images of art discussed on the show.

Image: Natalia Goncharova, Koshki (luchistoe vospr.[iiatie] rozovoe, chernoe i zheltoe) (Carts [rayist percept.(tion) in rose, black, and yellow]), 1913. Collection of the Solomon R. Guggenheim Museum, New York.


These JPEGs are from MoMA’s superb new Tumblr, which it created for the just-as-superb new exhibition “Inventing Abstraction.” 

Exhibition curator Leah Dickerman was the lead guest on Episode No. 60 of The Modern Art Notes Podcast. Among the groups of works we discussed were these Kandinsky drawings and this important early (mostly) abstract Kandinsky. Download or listen to the show here!

inventingabstraction:

Vasily Kandinsky, two sketches and final painting Impression III (Concert), 1911

THE CONCERT
On January 2, 1911, two days after befriending each other, Vasily Kandinsky and Franz Marc and other companions attended a concert in Munich of work by the Viennese composer Arnold Schoenberg. Marc immediately recognized the congruence between Schoenberg’s theories and Kandinsky’s desire to break from traditional figurative modes of painting. For Kandinsky, the concert was a revelation: in the days afterwards, he made sketches of the performance and then distilled the figures within until only traces of the original subject remained, producing the most abstract work he had made to date.

Listen to Schoenberg’s music and other key works of the period on WXQR’s website.


The 2011 Francis Alÿs retrospective at MoMA

As usual, the Museum of Modern Art put together a terrific, thorough website for “Francis Alÿs: A Story of Deception,” its 2011 Alÿs retrospective. MoMA split the show between its two venues: Its long-time home on 53rd Street in Manhattan and at its PS1 satellite in Queens. 

The website includes video of many of Alÿs’s films, as well as installation shots, JPEGs of his paintings and collages, and more. 

Alÿs is the guest on this week’s Modern Art Notes Podcast! To download the show to your PC/mobile device, click here. Subscribe to The Modern Art Notes Podcast via iTunesSoundCloud or RSS. 


Via the Tumblr of the PR chief of MoMA’s PS1 satellite, here are the first Tumblr pictures of Wolfgang Laib’s installation Pollen from Hazelnut at the Museum of Modern Art. The exhibition is on view through March 11. At 18-by-21 feet the MoMA piece is the largest pollen field Laib has made. Laib is the lead guest on this week’s Modern Art Notes Podcast. 
From MoMA, Laib goes to The Phillips Collection in Washington, where he will install the second of two major works he’s presenting in the U.S. this season. The Phillips will open the Laib Wax Room, a new permanent installation, on March 2. It will be the first permanent installation at the Phillips since the museum opened its Rothko Room in 1960.
To listen: Download the Modern Art Notes Podcast featuring Laib to your PC/mobile device. Subscribe to The Modern Art Notes Podcast via iTunes, SoundCloud or RSS. See more images of art discussed on the program.
rebeccataylorny:





Wolfgang Laib’s “Pollen from Hazelnut” in the @museummodernart atrium

Via the Tumblr of the PR chief of MoMA’s PS1 satellite, here are the first Tumblr pictures of Wolfgang Laib’s installation Pollen from Hazelnut at the Museum of Modern Art. The exhibition is on view through March 11. At 18-by-21 feet the MoMA piece is the largest pollen field Laib has made. Laib is the lead guest on this week’s Modern Art Notes Podcast. 

From MoMA, Laib goes to The Phillips Collection in Washington, where he will install the second of two major works he’s presenting in the U.S. this season. The Phillips will open the Laib Wax Room, a new permanent installation, on March 2. It will be the first permanent installation at the Phillips since the museum opened its Rothko Room in 1960.

To listen: Download the Modern Art Notes Podcast featuring Laib to your PC/mobile device. Subscribe to The Modern Art Notes Podcast via iTunesSoundCloud or RSS. See more images of art discussed on the program.

rebeccataylorny:

Wolfgang Laib’s “Pollen from Hazelnut” in the @museummodernart atrium


This screen-capture from the live webcam in the Museum of Modern Art’s atrium reveals that Wolfgang Laib’s Pollen from Hazelnut is just about installed! It opens to the public on Wednesday. At 18-by-21 feet, it will be the largest pollen field Laib has made. 

This week’s Modern Art Notes Podcast features Laib, who is installing not one but two major works in the U.S. this season. The second will be at The Phillips Collection, which will open the Laib Wax Room, a new permanent installation, on March 2. It will be the first permanent installation at the Phillips since the museum opened its Rothko Room in 1960.

Download the show to your PC/mobile device. Subscribe to The Modern Art Notes Podcast via iTunesSoundCloud or RSS. See more images of art discussed on the program.