Posts tagged MoMA

This week’s Modern Art Notes Podcast features Jo Ann Callis.

If you know the work of Jeff Wall or Gregory Crewdson or Marilyn Minter, you should know Callis, whose work anticipated theirs. Starting in the early 1970s Callis has constructed both black-and-white and color photographs that consider, sex, sexuality, pleasure and more pleasure.

Aperture has just published “Other Rooms,” a new book of Callis’ investigations of the nude body and sexuality, mostly from the mid-1970s. Amazon offers it for $54. And on Tuesday, June 17th, Callis and Lesley A. Martin will discuss the project at Aperture on West 27th Street in New York. Their conversation starts at 6:30pm.

Callis is one of the most important photographers of her generation. In two thousand nine the J. Paul Getty Museum presented a retrospective of her work titled "Woman Twirling." Callises are in the permanent collection of museums such as the Museum of Modern Art, the Los Angeles County Museum of Art and the San Francisco Museum of Modern Art. 

This is a picture from Callis’ “Ballast” series. Callis and host Tyler Green discussed this pictures on this week’s show, including whether it was motivated by Francis Bacon’s work. At bottom is Bacon’s Study for Three Heads (1962) from the collection of the Museum of Modern Art, New York.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


Lygia Clark

This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.

The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 

The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 

It’s Bichos day on MANPodcast.com! Fifty of the seventy Bichos or ‘Critters’ that Clark made are included in MoMA’s retrospective. Clark’s Bichos were originally meant to be handled and modified by the viewer, an early kind of artwork that encourages viewer participation. This is Clark’s Relógio de sol [Sundial] (1960) from MoMA’s own collection.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:

Source SoundCloud / Modern Art Notes Podcast


This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.
The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 
The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 
It’s Bichos day on MANPodcast.com! Fifty of the seventy Bichos or ‘Critters’ that Clark made are included in MoMA’s retrospective. Clark’s Bichos were originally meant to be handled and modified by the viewer, an early kind of artwork that encourages viewer participation. This is Clark’s Relógio de sol [Sundial] (1960) from MoMA’s own collection.
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.

The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 

The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 

It’s Bichos day on MANPodcast.com! Fifty of the seventy Bichos or ‘Critters’ that Clark made are included in MoMA’s retrospective. Clark’s Bichos were originally meant to be handled and modified by the viewer, an early kind of artwork that encourages viewer participation. This is Clark’s Relógio de sol [Sundial] (1960) from MoMA’s own collection.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.
The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 
The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 
It’s Bichos day on MANPodcast.com! Fifty of the seventy Bichos or ‘Critters’ that Clark made are included in MoMA’s retrospective. Clark’s Bichos were originally meant to be handled and modified by the viewer, an early kind of artwork that encourages viewer participation. This is Clark’s Fantastic Architecture II (1963). 
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.

The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 

The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 

It’s Bichos day on MANPodcast.com! Fifty of the seventy Bichos or ‘Critters’ that Clark made are included in MoMA’s retrospective. Clark’s Bichos were originally meant to be handled and modified by the viewer, an early kind of artwork that encourages viewer participation. This is Clark’s Fantastic Architecture II (1963). 

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.
The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 
The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 
It’s Bichos day on MANPodcast.com! Fifty of the seventy Bichos or ‘Critters’ that Clark made are included in MoMA’s retrospective. Clark’s Bichos were originally meant to be handled and modified by the viewer, an early kind of artwork that encourages viewer participation. This is Clark’s Bicho Contrario II (maquette) [Contrary Critter] (1961). 
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.

The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 

The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 

It’s Bichos day on MANPodcast.com! Fifty of the seventy Bichos or ‘Critters’ that Clark made are included in MoMA’s retrospective. Clark’s Bichos were originally meant to be handled and modified by the viewer, an early kind of artwork that encourages viewer participation. This is Clark’s Bicho Contrario II (maquette) [Contrary Critter] (1961). 

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.
The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 
The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 
It’s Bichos day on MANPodcast.com! Fifty of the seventy Bichos or ‘Critters’ that Clark made are included in MoMA’s retrospective. Clark’s Bichos were originally meant to be handled and modified by the viewer, an early kind of artwork that encourages viewer participation. This is Clark’s Bicho de Bolso [Critter Pocket] (1966). 
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.

The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 

The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 

It’s Bichos day on MANPodcast.com! Fifty of the seventy Bichos or ‘Critters’ that Clark made are included in MoMA’s retrospective. Clark’s Bichos were originally meant to be handled and modified by the viewer, an early kind of artwork that encourages viewer participation. This is Clark’s Bicho de Bolso [Critter Pocket] (1966). 

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


Lygia Clark

This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.

The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 

The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 

This is Clark’s Planes in Modulated Surface 4 (1957), from MoMA’s collection.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:

Source SoundCloud / Modern Art Notes Podcast


This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.
The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 
The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 
The image above is Clark’s Maquete para Interior no. 1 (1955), an example of one of the maquettes that Pérez-Oramas and MAN Podcast host Tyler Green discuss on the program. Clark’s maquettes are key transitional works that demonstrate her interest in painting, three-dimensional space and viewer-activated objects.
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.

The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 

The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 

The image above is Clark’s Maquete para Interior no. 1 (1955), an example of one of the maquettes that Pérez-Oramas and MAN Podcast host Tyler Green discuss on the program. Clark’s maquettes are key transitional works that demonstrate her interest in painting, three-dimensional space and viewer-activated objects.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue — the cover of which is shown above — was published by MoMA.
The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 
The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue — the cover of which is shown above — was published by MoMA.

The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 

The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


Lygia Clark

This week’s Modern Art Notes Podcast spotlights Brazilian artist Lygia Clark and the Museum of Modern Art, New York retrospective of her work titled, "Lygia Clark: The Abandonment of Art, 1949 to 1988." It’s on view through August 24. The exhibition catalogue was published by MoMA.

The show includes nearly 300 works dating from the late 1940s through the early 1980s, including drawings, paintings, sculptures and Clark’s late participatory works. It looks at Clark’s paintings, her hands-on sculptures and her so-called abandonment of art. 

The show was curated by Connie Butler, who is now the chief curator at the Hammer Museum and Luis Pérez-Oramas, the guest on the first segment of this week’s program. Pérez-Oramas was the curator of the last Sao Paulo International Biennial. His recent MoMA exhibitions have included “Tangled Alphabets: Leon Ferrari and Mira Schendel” and “Transforming Chronologies: An Atlas of Drawings.” 

The image above shows many of Clark’s “Bichos” or “Critters” installed at MoMA. Clark intended each sculpture to be handled and altered by viewers.

Listen to or download this week’s program above, on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:

Source SoundCloud / Modern Art Notes Podcast