Posts tagged Barbara Kruger

Mix a popular artist with a knack for making visually loud, catchy work with two high-profile commissions — Los Angeles buses for ForYourArt and the escalator space at the Hirshhorn — and you’ve got a Flickr hit. So if you can’t be in LA or Washington right now, check out Barbara Kruger’s latest work via JPEG.

Kruger was the lead guest on Episode No. 36 of The Modern Art Notes Podcast. She told great stories, explained some of the surprising origins of and motivations behind her work and made me laugh. 

Download the Kruger program to your PC/mobile device. Subscribe to The Modern Art Notes Podcast via iTunes or RSS. See images of artworks discussed on the program. 

Image: Barbara Kruger bus by Flickr user waltarrrr.


As ever.

Episode No. 36 of The Modern Art Notes Podcast featured Barbara Kruger, an artist who dislikes the term ‘feminist artist,’ but whose art has given image to feminist thought for several decades. Kruger’s most recent commission, Belief + Doubt, is now on view at the Hirshhorn Museum and Sculpture Garden

One of the topics Kruger and I discussed was the genesis and development of Kruger’s interest in works that deal with sociopolitical themes — and male-dominated power structures in particular. Given the outrageous, rape-excusing statements and positions made by GOP U.S. Senate candidate Rep. Todd Akin and presumptive GOP vice-presidential nominee Rep. Paul Ryan, today seemed like a good day to share the Kruger show.

Kruger was the subject of an Ann Goldstein-curated 1999 retrospective at MOCA, an exhibition that traveled to the Whitney Museum of American Art. Her installation at — and actually on — the Italian Pavilion at the 2005 Venice Biennale helped her win the Biennale’s lifetime achievement award.

To download the Kruger program directly, click here. To download or subscribe to The Modern Art Notes Podcast via iTunes, click here. To subscribe to The MAN Podcast’s RSS feed, click here. You can see images of artworks discussed on the show here.

Image: Barbara Kruger, Untitled (Your body is a battleground), 1989. Collection of The Broad Art Foundation, Santa Monica, Calif.


Yesterday Kelly Crow of the Wall Street Journal featured Barbara Kruger’s new installation for the Hirshhorn Museum and Sculpture Garden. In addition to some cool time-lapse video of the piece, titled Belief + Doubt, Crow spotlights Hirshhorn director explaining why it was important for the Hirshhorn to commission the piece from Kruger. It’s really good stuff.

Kruger was the subject of an Ann Goldstein-curated 1999 retrospective at MOCA, an exhibition that traveled to the Whitney Museum of American Art. Her installation at — and actually on — the Italian Pavilion at the 2005 Venice Biennale helped her win the Biennale’s lifetime achievement award.

To download the program directly, click here. To download or subscribe to The Modern Art Notes Podcast via iTunes, click here. To subscribe to The MAN Podcast’s RSS feed, click here. You can see images of artworks discussed on the program here.

Image: Barbara Kruger, Belief + Doubt, 2012.


This week’s Modern Art Notes Podcast features Barbara Kruger, whose most recent commission, Belief + Doubt, is on view at the Hirshhorn Museum and Sculpture Garden. (The work officially opens on August 20, but it is visible now.)

Among the topics Kruger and I discussed: This New York magazine cover, which she designed in the wake of the 2008 Eliot Spitzer prostitution scandal.

Kruger was the subject of a 1999 retrospective at MOCA, an exhibition that traveled to the Whitney Museum of American Art. Her installation at — and actually on — the Italian Pavilion at the 2005 Venice Biennale helped earn her the Biennale’s lifetime achievement award. The most recent major monograph on Kruger’s work was published in 2010 by Rizzoli.

To download the program directly, click here. To download or subscribe to The Modern Art Notes Podcast via iTunes, click here. To subscribe to The MAN Podcast’s RSS feed, click here. You can see images of artworks discussed on the program here.


This week’s Modern Art Notes Podcast features Barbara Kruger, whose most recent commission, Belief + Doubt, is on view at the Hirshhorn Museum and Sculpture Garden. (The work officially opens on August 20, but it is visible now.)

Kruger was the subject of a 1999 retrospective at MOCA, an exhibition that traveled to the Whitney Museum of American Art. Her installation at — and actually on — the Italian Pavilion at the 2005 Venice Biennale helped earn her the Biennale’s lifetime achievement award. The most recent major monograph on Kruger’s work was published in 2010 by Rizzoli.

To download the program directly, click here. To download or subscribe to The Modern Art Notes Podcast via iTunes, click here. To subscribe to The MAN Podcast’s RSS feed, click here. You can see images of artworks discussed on the program here.

Image: Barbara Kruger, Untitled (I’m Just Looking) (detail), 1987. Collection of the San Francisco Museum of Modern Art.


Publishing@MCA: New: This Will Have Been: Art, Love & Politics in the 1980s

Two artists included in this (beautiful) book and exhibition have been guests on The Modern Art Notes Podcast: Lari Pittman (download the show) and this week’s guest, Barbara Kruger (download the show).

The exhibition is now on view at the Walker Art Center in Minneapolis.

mcapublishing:

We’re very proud of our February 2012 book This Will Have Been: Art, Love & Politics in the 1980s (copublished with Yale University Press), which accompanied a show of the same name that was presented at MCA Chicago from February to early June. Now the book is touring alongside…


The most recent monograph on this week’s Modern Art Notes Podcast guest Barbara Kruger is this 2010 publication from Rizzoli. The book features something I’ve never seen before: Instead of moving chronologically through an artist’s work — from the earliest pieces to the newest — it moves in the opposite direction. Kruger’s art from the early 1980s is in the back. (I asked her about it on this week’s show.)
Another reason to check out the book: Kruger started her career as a graphic designer at Conde Nast in the 1960s, becoming the design director for Mademoiselle magazine while she was still in her twenties. The book includes an essay by Alex Abarro that details her career at Mademoiselle and that offers some background for how Kruger’s early work experience helped lay a foundation for her art-making practice.
The artwork on the cover of the book is a detail from Kruger’s Shafted (2008), installed at the Broad Contemporary Art Museum building at the Los Angeles County Museum of Art.

The most recent monograph on this week’s Modern Art Notes Podcast guest Barbara Kruger is this 2010 publication from Rizzoli. The book features something I’ve never seen before: Instead of moving chronologically through an artist’s work — from the earliest pieces to the newest — it moves in the opposite direction. Kruger’s art from the early 1980s is in the back. (I asked her about it on this week’s show.)

Another reason to check out the book: Kruger started her career as a graphic designer at Conde Nast in the 1960s, becoming the design director for Mademoiselle magazine while she was still in her twenties. The book includes an essay by Alex Abarro that details her career at Mademoiselle and that offers some background for how Kruger’s early work experience helped lay a foundation for her art-making practice.

The artwork on the cover of the book is a detail from Kruger’s Shafted (2008), installed at the Broad Contemporary Art Museum building at the Los Angeles County Museum of Art.


This week’s Modern Art Notes Podcast features Barbara Kruger, whose most recent commission, Belief + Doubt, is on view at the Hirshhorn Museum and Sculpture Garden. (The work officially opens on August 20, but it is visible now.)

One of the topics we discuss on this week’s show: The genesis and development of Kruger’s interest in works that deal with sociopolitical themes — and power structures in particular.

Kruger was the subject of an Ann Goldstein-curated 1999 retrospective at MOCA, an exhibition that traveled to the Whitney Museum of American Art. Her installation at — and actually on — the Italian Pavilion at the 2005 Venice Biennale helped her win the Biennale’s lifetime achievement award.

To download the program directly, click here. To download or subscribe to The Modern Art Notes Podcast via iTunes, click here. To subscribe to The MAN Podcast’s RSS feed, click here. You can see images of artworks discussed on the program here.

Image: Barbara Kruger, Untitled (Your body is a battleground), 1989. Collection of The Broad Art Foundation, Santa Monica, Calif.


This week’s Modern Art Notes Podcast features Barbara Kruger, whose most recent commission, Belief + Doubt, is on view at the Hirshhorn Museum and Sculpture Garden. (The work officially opens on August 20, but it is visible now.)

Kruger was the subject of an Ann Goldstein-curated 1999 retrospective at MOCA, an exhibition that traveled to the Whitney Museum of American Art. Her installation at — and actually on — the Italian Pavilion at the 2005 Venice Biennale helped her win the Biennale’s lifetime achievement award.

To download the program directly, click here. To download or subscribe to The Modern Art Notes Podcast via iTunes, click here. To subscribe to The MAN Podcast’s RSS feed, click here. You can see images of artworks discussed on the program here.

Image: Barbara Kruger, Untitled [We don’t need another hero], 1987.


This week’s Modern Art Notes Podcast features Barbara Kruger, whose most recent commission, Belief + Doubt, is on view at the Hirshhorn Museum and Sculpture Garden. (The work officially opens on August 20, but it is visible now.)

Kruger’s new Hirshhorn piece fills the lower atrium of the museum — and works its way up the museum’s famed escalators. It’s her latest immersive installation; to be in it is to feel like one is inside a dictionary or book of quotations.

Kruger was the subject of an Ann Goldstein-curated 1999 retrospective at MOCA, an exhibition that traveled to the Whitney Museum of American Art. Her installation at — and actually on — the Italian Pavilion at the 2005 Venice Biennale helped her win the Biennale’s lifetime achievement award.

To download the program directly, click here. To download or subscribe to The Modern Art Notes Podcast via iTunes, click here. To subscribe to The MAN Podcast’s RSS feed, click here. You can see images of artworks discussed on the program here.

Image: Barbara Kruger, Belief + Doubt, 2012.