This week’s Modern Art Notes Podcast features George Herms and curator Cornelia Homburg.

Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” (Pictured above.) The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.

Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.

Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 

On the second segment, Cornelia Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


The second segment of this week’s Modern Art Notes Podcast features curator Cornelia Homburg.
Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.
This is Paul Signac’s Setting Sun. Sardine Fishing. Adagio. Opus 221 from the series The Sea, The Boats, Concarneau (1891) from the collection of the Museum of Modern Art, New York. It will be in Homburg’s exhibition, and it’s one of the paintings she and host Tyler Green discuss on this week’s MAN Podcast.
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

The second segment of this week’s Modern Art Notes Podcast features curator Cornelia Homburg.

Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.

This is Paul Signac’s Setting Sun. Sardine Fishing. Adagio. Opus 221 from the series The Sea, The Boats, Concarneau (1891) from the collection of the Museum of Modern Art, New York. It will be in Homburg’s exhibition, and it’s one of the paintings she and host Tyler Green discuss on this week’s MAN Podcast.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


This week’s Modern Art Notes Podcast features George Herms and curator Cornelia Homburg.
Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.
Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.
Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 
This is Herms’ The Librarian (1960) from the collection of the Norton Simon Museum. 
On the second segment, Cornelia Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

This week’s Modern Art Notes Podcast features George Herms and curator Cornelia Homburg.

Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.

Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.

Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 

This is Herms’ The Librarian (1960) from the collection of the Norton Simon Museum. 

On the second segment, Cornelia Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


George Herms

This week’s Modern Art Notes Podcast features George Herms and curator Cornelia Homburg.

Herms’ work is presented in a new, two-volume monograph called “George Herms: The River Book.” The book includes new pictures of Herms’ work, photographs as well as texts by both Herms and Dave Hickey. It was just published by Hamilton Press. Amazon offers it for under $60 — a 40 percent discount.

Herms is also the subject of a new exhibition presented by Fluent Collaborative and testsite in Austin, Texas. Titled "LOVE George Herms," the exhibition includes a selection of Herms’ found-object suclptures and more recent collages. It was curated by Sarah Bancroft and will be on view through October 19.

Herms came to prominence in California in the 1950s, one of a group of artists who accumulated found objects into wondrous sculptures. Herms work has been the subject of numerous retrospectives, including at the Newport Harbor Art Museum (1979) and at the Santa Monica Museum of Art (2005). Herms has been awarded three National Endowment for the Arts fellowships, the Prix de Rome from the American Academy in Rome and a Guggenheim fellowship. 

This is Herms’ California Landscape (1978) from the collection of the Museum of Contemporary Art, Los Angeles. 

On the second segment, Cornelia Homburg discusses her forthcoming show "Neo-Impressionism and the Dream of Realities." The exhibition, which opens at The Phillips Collection on September 27, presents neo-impressionism less as formal innovation in painting, and more as a response to symbolist music and writing. The exhibition catalogue is available from Yale University Press.

The Modern Art Notes Podcast is an independent production of Modern Art Notes Media. The program is edited by Wilson Butterworth. The MAN Podcast is released under this Creative Commons license. 

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:

Source SoundCloud / Modern Art Notes Podcast


Here’s a hint about the guest of the lead segment on the forthcoming Modern Art Notes Podcast! As always, this week’s show will post tomorrow at around noon ET.

Never miss a program: Subscribe to The MAN Podcast (for free) at:


World War I in art

This weeks’ Modern Art Notes Podcast spotlights three collection-driven exhibitions that mark the 100th anniversary of the beginning of World War I. The three exhibitions — at the Virginia Museum of Fine Arts, the Toledo Museum of Art and at the Dallas Museum of Art — take strikingly different approaches to showing how the Great War impacted artists. 

On the second segment, the Toledo Museum of Art’s Paula Reich discusses her exhibition "The Great War: Art on the Front Line," which is up through October 19. The show features paintings, sculpture and works on paper about the war and the home front. Among the highlights of the exhibition are Max Beckmann’s great 1923 painting The Trapeze, Picasso’s 1918 gouache Person Seated at a Table Plucking a Dead Bird, and Otto Dix’s great 1924 print of shell craters. 

This is Kathe Kollwitz’s 1921-22 woodcut The Parents, from the portfolio “The War.” It’s included in the Toledo show. View the e-catalogue of all the works in Toledo’s exhibition here.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:

Source SoundCloud / Modern Art Notes Podcast


World War I in art

This weeks’ Modern Art Notes Podcast spotlights three collection-driven exhibitions that mark the 100th anniversary of the beginning of World War I. The three exhibitions — at the Virginia Museum of Fine Arts, the Toledo Museum of Art and at the Dallas Museum of Art — take strikingly different approaches to showing how the Great War impacted artists. 

The third segment of the show focuses on the Dallas Museum of Art’s Kathe Kollwitz: A Social Activist in the Era of World War I.” Exhibition curator Michael Hartman discusses life on the German home front, and Bread! (1924, detail above) by Kathe Kollwitz. 

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:

Source SoundCloud / Modern Art Notes Podcast


This weeks’ Modern Art Notes Podcast spotlights three collection-driven exhibitions that mark the 100th anniversary of the beginning of World War I. The three exhibitions — at the Virginia Museum of Fine Arts, the Toledo Museum of Art and at the Dallas Museum of Art — take strikingly different approaches to showing how the Great War impacted artists. 
The third segment of the show focuses on the Dallas Museum of Art’s Kathe Kollwitz: A Social Activist in the Era of World War I.” Exhibition curator Michael Hartman discusses life on the German home front, and Somme 1916 VI (1918, above) by Max Pechstein, which shows soldiers going to war… with shovels. 
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

This weeks’ Modern Art Notes Podcast spotlights three collection-driven exhibitions that mark the 100th anniversary of the beginning of World War I. The three exhibitions — at the Virginia Museum of Fine Arts, the Toledo Museum of Art and at the Dallas Museum of Art — take strikingly different approaches to showing how the Great War impacted artists. 

The third segment of the show focuses on the Dallas Museum of Art’s Kathe Kollwitz: A Social Activist in the Era of World War I.” Exhibition curator Michael Hartman discusses life on the German home front, and Somme 1916 VI (1918, above) by Max Pechstein, which shows soldiers going to war… with shovels. 

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


This weeks’ Modern Art Notes Podcast spotlights three collection-driven exhibitions that mark the 100th anniversary of the beginning of World War I. The three exhibitions — at the Virginia Museum of Fine Arts, the Toledo Museum of Art and at the Dallas Museum of Art — take strikingly different approaches to showing how the Great War impacted artists. 
The second segment features the Toledo Museum of Art’s Paula Reich, who discusses her exhibition "The Great War: Art on the Front Line," up through October 19. The show features paintings, sculpture and works on paper about the war and the home front. Among the highlights of the exhibition are Max Beckmann’s great 1923 painting The Trapeze, Picasso’s 1918 gouache Person Seated at a Table Plucking a Dead Bird (above), and Otto Dix’s great 1924 print of shell craters. 
View each work in the show via this e-catalogue.
How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:
iTunes; 
SoundCloud; 
Stitcher; or
via RSS. 

This weeks’ Modern Art Notes Podcast spotlights three collection-driven exhibitions that mark the 100th anniversary of the beginning of World War I. The three exhibitions — at the Virginia Museum of Fine Arts, the Toledo Museum of Art and at the Dallas Museum of Art — take strikingly different approaches to showing how the Great War impacted artists. 

The second segment features the Toledo Museum of Art’s Paula Reich, who discusses her exhibition "The Great War: Art on the Front Line," up through October 19. The show features paintings, sculpture and works on paper about the war and the home front. Among the highlights of the exhibition are Max Beckmann’s great 1923 painting The Trapeze, Picasso’s 1918 gouache Person Seated at a Table Plucking a Dead Bird (above), and Otto Dix’s great 1924 print of shell craters. 

View each work in the show via this e-catalogue.

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at:


The Great War: Art on the Front Line « The Toledo Museum of Art

This weeks’ Modern Art Notes Podcast spotlights three collection-driven exhibitions that mark the 100th anniversary of the beginning of World War I. The three exhibitions — at the Virginia Museum of Fine Arts, the Toledo Museum of Art and at the Dallas Museum of Art — take strikingly different approaches to showing how the Great War impacted artists. 

The second segment features the Toledo Museum of Art’s Paula Reich, who discusses her exhibition "The Great War: Art on the Front Line," up through October 19. The show features paintings, sculpture and works on paper about the war and the home front. Among the highlights of the exhibition are Max Beckmann’s great 1923 painting The Trapeze, Picasso’s 1918 gouache Person Seated at a Table Plucking a Dead Bird, and Otto Dix’s great 1924 print of shell craters. 

View each work in the show via the e-catalogue we’ve linked to above!

How to listen to this week’s show: Listen to or download this week’s program on SoundCloud, via direct-link mp3, or subscribe to The MAN Podcast (for free) at: